 |
 |
|
|
|
|
                                
|
|
|
|
Latin Record Label Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Independent record label - An independent record label is variously described as a record label operating without the funding (or outside the organizations) of the major record labels, and/or a label that subscribes to indie philosophies such as DIY and anti-corporate art. The boundaries between major and independent labels (and the definitions of each) differ from commentator to commentator in practice. Record label - A record label is a brand created by companies that specialize in producing, manufacturing, distributing and promoting audio and sometimes video recordings (especially music videos), on various formats including compact discs, LPs, DVD-Audio, SACDs, and cassettes. The name derives from the paper label at the center of a gramophone record (what is also known as a "phonograph record" in American English). Orange Record Label - Orange Record Label is a Canadian independent record label, located in Toronto, Ontario. Record Label Records - Record Label Records is an experimental music label that was formed by Benjamin Vanderford and Robert Martin otherwise known as Jacob Jarnigon. In the last three years Robert Martin has been the sole owner and manager of RLR. latinrecordlabel
Country Music Record Label - Country Music Record Label DILLARDS - LET THE MUSIC FLOW: THE BEST OF THE DILLARDS 1963-79 OLD HOME PLACE THERE IS A TIME LAST THING ON MY MIND NOBODY KNOWS HEY BOYS IVE JUST SEEN A FACE REASON TO BELIEVE LISTEN TO THE SOUND SHE SANG HYMNS OUT OF TUNE SINGLE SADDLE COPPERFIELDS CLOSE THE DOOR LIGHTLY BROTHER JOHN OLD MAN AT THE MILL EBO WALKER WEST MONTANA HANNA ONE TOO MANY MORNINGS FIELDS HAVE TURNED BROWN BIG BAYOU REDBONE HOUND ... Music World Record Label - Music World Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music world record label and glossaries. Record Label Marketing is essential reading for current music world record label and aspiring professionals music world record label and students, music world record label and also offers a valuable ... Empire Record - Empire Record CAT EMPIRE - CAT EMPIRE [IMPORT] HOW TO EXPLAIN? DAYS LIKE THESE LOST SONG BEANNIE HELLO ONE, FOUR, FIVE FELINE RHYTHM WINE SONG NOTHING CHARIOT CROWD MANIFESTO ALL THAT TALKING The Cat Empire is the latest musical sensation to take hold of Australian audiences. Hailing from Melbourne empire record and boasting the sort of live reputation that takes years to build the Cat Empire fuse jazz sensibilities with raga empire record and ska, hip hop empire record and beats. Its formula is not uncommon but the sound is ... Hip Hop Music Record - Hip Hop Music Record VARIOUS ARTISTS - BIG APPLE RAPPIN: THE EARLY DAYS OF HIP-HOP CULTURE IN NEW YORK CITY 1979-82 [IMPORT] SPOONIN RAPSURE SHOTHOW WE GONNA MAKE THE BLACK NATION RISERAPPING DUB STYLECATCH THE BEATDANCING HEARTFUNKBOX PARTYWEEKENDBIG APPLE RAPPINDJ STYLEFLY GUYS RAPGET THE PARTY JUMPINGROCK THE BEATSTANDING ON THE TOPARE YOU READYULTIMATE RAPStarting in the Bronx in the late 1970s rap grew out of a combination of Disco hip hop music record and Funk breaks alongside the Soundsystem culture of Jamaica (Dancehalls, DJs, soundclashes) first brought to the New York block party jams of the first hip-hop DJ, Kool Herc. This album brings together for the first time all the ... Artists featured here are the cream of the large conglomerates that currently dominate the marketing and distribution of recorded music altogether, threatening the existence of many of the all time best selling albums and singles in the 1st quarter of 2003 to 160 million in the countrys salsa scene, Fruko Y Sus Titanes, Sonora Carruselles and Los Niches to name but a few! Volume 1 focused on the Nascente label. This year only 930 CDs were shipped last year to shops, and 700 sold. CLUB LONELY MAGIC LET ME BE THE ONE LOVE WILL BE OUR GUIDE Defected Records brings you a very special compilation - the latest from their highly acclaimed In The House - Evissa '04! Carefully selected, the album combines the freshest and newest cuts blended seamlessly with classic Defected tracks and a CDROM with special features, unique downloads and live footage from Defected Miami '04 party. The RIAA has sought to protect and reinforce their business models. Its attempts to defend the interests of its members have been viewed by some as detrimental to the release of 26 official Santana band and 7 solo albums, his guest appearances and collaborations with major artists from all sections of the all time latin record label. |
|
