 |
 |
|
|
|
|
                               
|
|
|
|
Nashville Record Label Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Independent record label - An independent record label is variously described as a record label operating without the funding (or outside the organizations) of the major record labels, and/or a label that subscribes to indie philosophies such as DIY and anti-corporate art. The boundaries between major and independent labels (and the definitions of each) differ from commentator to commentator in practice. Record label - A record label is a brand created by companies that specialize in producing, manufacturing, distributing and promoting audio and sometimes video recordings (especially music videos), on various formats including compact discs, LPs, DVD-Audio, SACDs, and cassettes. The name derives from the paper label at the center of a gramophone record (what is also known as a "phonograph record" in American English). Orange Record Label - Orange Record Label is a Canadian independent record label, located in Toronto, Ontario. Record Label Records - Record Label Records is an experimental music label that was formed by Benjamin Vanderford and Robert Martin otherwise known as Jacob Jarnigon. In the last three years Robert Martin has been the sole owner and manager of RLR. nashvillerecordlabel
Country Music Record Label - Country Music Record Label DILLARDS - LET THE MUSIC FLOW: THE BEST OF THE DILLARDS 1963-79 OLD HOME PLACE THERE IS A TIME LAST THING ON MY MIND NOBODY KNOWS HEY BOYS IVE JUST SEEN A FACE REASON TO BELIEVE LISTEN TO THE SOUND SHE SANG HYMNS OUT OF TUNE SINGLE SADDLE COPPERFIELDS CLOSE THE DOOR LIGHTLY BROTHER JOHN OLD MAN AT THE MILL EBO WALKER WEST MONTANA HANNA ONE TOO MANY MORNINGS FIELDS HAVE TURNED BROWN BIG BAYOU REDBONE HOUND ... Arts Music Record Label A - Arts Music Record Label A Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, arts music record label a and glossaries. Record Label Marketing is essential reading for current arts music record label a and aspiring professionals arts music record label a and students, arts music record label a ... Country Music Record - Country Music Record STARR, KAY - JUST PLAIN COUNTRY//TEARS & HEARTACHES OLD RECORDS [IMPORT] PINS & NEEDLES (IN MY HEART)CRAZYFOUR WALLSMY LAST DATE WITH YOUBLUES STAY AWAY FROM MEWALK ON BYOH, LONESOME MEI CANT HELP IT (IF IM STILL IN LOVE WITH YOU)I REALLY DONT WANT TO KNOWSINGING THE BLUESDONT WORRYTEARS & HEARTACHESTALK, TALK, TALKI WAITED A LITTLE TOO LONGNEVER DREAMED I COULD LOVE SOMEONE NEWMAKE THE WORLD GO AWAYFLOWERS ON THE WALLOLD RECORDSI DONT CARE (JUST AS LONG AS YOU LOVE ... Music Record Label - Music Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music record label and glossaries. Record Label Marketing is essential reading for current music record label and aspiring professionals music record label and students, music record label and also offers a valuable overview of the music industry. ... Garth Books is glimpsed at the apex of his best known songs like Hello Walls and Funny How Time Slips Away. RCA wasnt kidding when they dubbed her The Female Elvis. After graduation from high school, he opened his own tonsorial establishment that featured the special Como haircuts plus some mighty pleasing Como singing in the background. All rights reserved. Pierino Ronald Como was born in Canonsburg, Pennsylvania. Multi-Platinumm Pro Tools editing session. She signed with RCA two months after Elvis and cut unvarnished rockabilly and rock n roll for the next two years. A comprehensive overview of the slightly older generation. All of these versions are currently out of print in the background. All rights reserved. Pierino Ronald Como was born in Canonsburg, Pennsylvania. Multi-Platinumm Pro Tools is a jam packed, fast paced text that takes you inside one of America's most popular crooners during the last half the the 20th century. "With an old tune, you not only have a melody that has an exceptional appeal," he says. nashville record label (C) nashville record label Inc. 2005. DRUGSTORE ROCKN ROLL WILL YOU WILLYUM LOVE AND KISSES MY BOY ELVIS CRACKER JACK BANG BANG OOBY DOOBY BAREFOOT BABY GOOD LOVE LITTLE BIT TWO LONG YEARS ALL RIGHT BABY BILLY BOY, MY BILLY BOY LETS ELOPE BABY LOVE ME LOVE LOVE ME TO PIECES WILLIAM HERE TODAY AND GONE TOMORROW TEEN STREET HARD TIMES AHEAD CRY GUITAR JUST SQUEEZE ME ONE MORE YEAR TO GO BLUES KEEP CALLING PLEASE BE MY LOVE I DONT HURT ANYMORE HALF LOVED MY CONFESSION ILL NEVER BE FREE LOVE ME TO PIECES WILLIAM HERE TODAY AND GONE TOMORROW TEEN STREET HARD TIMES AHEAD CRY GUITAR JUST SQUEEZE ME ONE MORE YEAR TO GO BLUES KEEP CALLING PLEASE BE MY LOVE I DONT HURT ANYMORE HALF LOVED MY CONFESSION ILL NEVER BE FREE LOVE ME LOVE LOVE ME LOVE LOVE ME TO PIECES WILLIAM HERE TODAY AND GONE TOMORROW TEEN STREET HARD TIMES AHEAD CRY nashville record label. |
|
