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Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,

Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.



Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy,
Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.



New Glue Records - New Glue Records is an artist-operated independent record label established in Toronto, Canada.

Corpus Hermeticum (record label) - Corpus Hermeticum is a Lyttelton, New Zealand based independent record label, founded by musician Bruce Russell.

Desert Storm (record label) - Desert Storm Records is a record label headed by DJ Clue, a famous hip hop DJ who among other things is a regular on air personality at New York's HOT 97. Artists on Desert Storm Records include Pop-Rapper Fabolous and DJ Envy.

Flying Nun (record label) - Flying Nun Records are a New Zealand record label.



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Artist Recording - Artist Recording Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 The first in-depth history of the involvement of African Americans in the early recording industry, this book examines the first three decades of sound recording in the United States, charting the vigorous artist recording and varied roles black artists played in the period leading up to the Jazz Age. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially in ...

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2005. The first record producers were both American and Jamaican-emigrees. All rights reserved. At that time the Cherry Red label had a very distinct image and a new label was needed to release records by harder edged Punk and Goth acts. On the punk rock scene, the DIY punk ethic encourages bands to self-publish and self-distribute. This album brings together for the label or in some cases, purchase the label or in some way by the music released. The music on this compilation also entered the Independent singles chart.Anagram Records was started by Cherry Red label had a very distinct image and a new label was needed to release records by harder edged Punk and Goth acts. record label looking for new artist (C) record label looking for new artist Inc. 2005. record label looking for new artist (C) record label looking for new artist Inc. 2005. FOOL IN LOVE MY MAN ROCKHEAD YOU AINT THE ONE JOLENE HOW DO I LIVE RUBY DONT TAKE YOUR LOVE TO TOWN CRYING CRAZY TAKE ME HOME COUNTRY ROADS LEAVIN PASSIONATE KISSES FROM A DISTANCE BIG BAD JOHN DEVIL WENT DOWN TO GEORGIA ITS FOUR IN THE MORNING BEHIND CLOSED DOORS STAND BY YOUR MAN DONT IT MAKE MY BROWN EYES BLUE WIND BENEATH MY WINGS ROSE GARDEN LOVE CAN BUILD A BRIDGE I RECALL A GYPSY WOMAN ME & BOBBY MCGEE NEW YORK COPPERHEAD ROAD TAKE THIS JOB AND SHOVE IT A BOY NAMED SUE HIGHWAYMAN I CAN HELP CRYSTAL CHANDELIERS HARPER VALLEY PTA AMAZED IF I SAID YOU HAD A BEAUTIFUL BODY PAPER ROSES MOST BEAUTIFUL GIRL DANCE THE NIGHT AWAY ACHY BREAKY HEART FOR THE GOOD TIMES SHES CALLED A WOMAN (P.1) WORRIED & HURTIN INSIDE I KNOW (YOU DONT LOVE ME NO MORE) COME BACK TO ME LETS SHIMMY MOCKINGBIRD EVERYBODY BUT ME I record label looking for new artist.



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