Record Label New York

There is a superstition that if an emptied theater is ever left completely dark, a ghost will take up residence. To prevent this, a single "ghost light" is left burning at center stage after the audience and all of the actors and musicians have gone home. Frank Rich's eloquent and moving boyhood memoir reveals how theater itself became a ghost light and a beacon of security for a child finding his way in a tumultuous world. Rich grew up in the small-townish Washington, D.C., of the 1950s and early '60s, a place where conformity seemed the key to happiness for a young boy who always felt different. When Rich was seven years old, his parents separated--at a time when divorce was still tantamount to scandal--and thereafter he and his younger sister were labeled "children from a broken home." Bouncing from school to school and increasingly lonely, Rich became terrified of the dark and the uncertainty of his future. But there was one thing in his life that made him sublimely happy: the Broadway theater. Rich's parents were avid theatergoers, and in happier times they would listen to the brand-new recordings of South Pacific, Damn Yankees, and The Pajama Game over and over in their living room. When his mother's remarriage brought about turbulent changes, Rich took refuge in these same records, re-creating the shows in his imagination, scene by scene. He started collecting Playbills, studied fanatically the theater listings in The New York Times and Variety, and cut out ads to create his own miniature marquees. He never imagined that one day he would be the Times's chief theater critic. Eventually Rich found a second home at Wash-ington's National Theatre, where as a teenager hewas a ticket-taker and was introduced not only to the backstage magic he had dreamed of for so long but to a real-life cast of charismatic and eccentric players who would become his mentors and friends.

"Magnificent" (The New York Times), "amazing" (Los Angeles Times) and "a blast" (Rolling Stone), this true story of the raucous anti-establishment explosion that revolutionized the music industry is "miraculous . . . one of the smartest, liveliest, most engaging and involving works you're likely to see this year" (Premiere)! Blown away by an unknown local band called the Sex Pistols, TV personality Tony Wilson (Steve Coogan) is inspired to invent a uniquely anarchic record label. Soon he's promoting everyone from New Order to Happy Mondays on his newly formed Factory Records . . . and partying like a rock star.

Desert Storm (record label) - Desert Storm Records is a record label headed by DJ Clue, a famous hip hop DJ who among other things is a regular on air personality at New York's HOT 97. Artists on Desert Storm Records include Pop-Rapper Fabolous and DJ Envy.

New York Crew - New York Crew was a 7" EP released by the New York City hardcore band Judge, released on guitar player John Porcelly's Schism label in 1988. The record was however later re-pressed by Revelation Records.

Steed Records - Steed Records was a record label founded by songwriter-record producer Jeff Barry in the mid-1960s in New York City. The label was active from 1967 to 1971.

Riverside Records - Riverside Records, a United States record label specializing in jazz, was the raison d'etre for Bill Grauer Productions, a company founded by Bill Grauer and Orrin Keepnews in 1953 in New York City. The label's name was inspired by the Manhattan telephone exchange of The Record Changer, a magazine owned by Grauer and edited by Keepnews.

recordlabelnewyork

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In New Queens York - In New Queens York Fresh Meadows, Queens, New York - Fresh Meadows, Queens, New York is a neighborhood in northeastern Queens, New York, which is bordered to the east by Francis Lewis Boulevard, to the south by Union Turnpike, to the north by Kissena Park, and to the west by Fresh Meadow Lane. Rosedale, Queens, New York - Rosedale is a neighborhood in southeastern Queens, New York. It is bordered to the north by Cambria Heights, the east by Valley Stream (part of ...

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