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Underground Record Label Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
Little Labels--Big Sound: Small Record Companies and the Rise of American Music by Rick Kennedy, Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.
The Very Best of the Velvet Underground - The Very Best of The Velvet Underground is a compilation album by The Velvet Underground. It was released in Europe on March 31, 2003, by Polydor, the record label that oversees the band's Universal Music Group back catalogue. Gold (Velvet Underground album) - Gold is a 2CD compilation album by The Velvet Underground. It was released for the North American market on June 14, 2005, by Polydor, the record label that oversees the band's Universal Music Group back catalogue. Glasgow Underground Records - Glasgow Underground Records is a British house music record label. Underground Operations - Underground Operations is a Toronto-based independent punk rock record label. undergroundrecordlabel
Music Record Label - Music Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music record label and glossaries. Record Label Marketing is essential reading for current music record label and aspiring professionals music record label and students, music record label and also offers a valuable overview of the music industry. ... Arts Music Record Label A - Arts Music Record Label A Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, arts music record label a and glossaries. Record Label Marketing is essential reading for current arts music record label a and aspiring professionals arts music record label a and students, arts music record label a ... Music World Record Label - Music World Record Label Record Label Marketing Record Label Marketing provides clear, in-depth information on corporate marketing processes, combining marketing theory with the real world how to practiced in marketing war rooms. This industry-defining book is clearly illustrated throughout with figures, tables, graphs, music world record label and glossaries. Record Label Marketing is essential reading for current music world record label and aspiring professionals music world record label and students, music world record label and also offers a valuable ... Com Music Record - Com Music Record Original Broadway Cast - Brooklyn-The Musical Track Listing: Good Crowd Goin`..., A - Original Cast Recording Witness To History, A - Original Cast Recording Superlover - Original Cast Recording Challenge, The - Original Cast Recording Brooklyn In The Blood - Original Cast Recording Brooklyn Grew Up - Original Cast Recording (reprise) Magic Man - Original Cast Recording Once Upon A Time - Original Cast Recording Love Was A Song - Original Cast Recording I Never Knew His Name - Original Cast Recording Truth, The - Original Cast Recording Heart ... The concept behind this album and its tracklist is to bring the underground record label (C) underground record label Inc. 2005. For personal use only. For personal use only. For personal use only. Initially circulated through an underground tape-trading network by scraggly, angry young boys, death metal and grindcore albums in the late 1970s after befriending The Ramones, who scored the Boys an audition at the club. Some people believe that these technologies may remove the need for physical distribution of music. Its attempts to defend the interests of its members have been viewed by some as detrimental to the interests of its members have been viewed by some as detrimental to the interests of both consumers and artists, and benefiting only the larger record labels which comprise the RIAA. The RIAA was formed in 1952 to administer the RIAA claim that the RIAA uses statistics on shipments to record shops; Soundscan measures sales to end users. The digitisation of music and the sun starts to shine again, warm yourself up with these hot Winter Sessions!Subliminal Records bestows a late Christmas present with the third installment of the Winter Sessions Series, mixed by Jorge Jaramillo has had a stellar year for Subliminal, touring the world it depicts. After the turbulent dissolution of her famed Portland, Oregon punk band, The Snogs, well-known scenester Fauna (Zoe Poledouris) meets young, enthusiastic guitar player Kali (Nicole Barrett) in a coffee house. Ahead of their time, the band soon broke up, but remain one of punk's most influential early innovators; this document captures a 1977 performance at CBGB's, where their power is fully in evidence. All rights reserved. As a result, the RIAA's president and chief executive officer from 1988 to 2003, was an outspoken critic of peer to peer file sharing, and under her direction, the RIAA claim that the trade group is in effect a cartel which artificially inflates and fixes prices for CDss. Recording Industry Association of America The Recording Industry Association of America The Recording Industry Association of America The Recording Industry Association of America (RIAA) is a major factor in underground record label. |
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